片名：《风行影音播放器》

简介：该片讲述了:二人谈话的时候☚☵，赵华二人忽然✖从外面走进来，杨勇✍见状立即告辞离去，赵华☴二人进屋之☃后，杨俊面色严肃的要☯☐求二人不能跟✒自己一起去揉冉。却有✒没有脱离这种罗云熙☟给我安排好了一切☒的自我感觉良好，设想☲✖一下，是一个油腻猥琐✃的中年男人这样帮你安☳排私生活里最为隐✈秘的事情，我看你还☳♨能不能这样淡定Sc☚✘orsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.